The war between Ukraine and Russia is another item of a catalogue that demonstrates the futility of warfare in this 21st century of cheap drone weaponry. Russia began the war by opening a broad front along the north, east and southern borders of Ukraine. Their subsequent drive on Kyiv and Kharkiv suggests that Russian leadership had banked on a swift military victory and regime change. Obviously that did not happen. Over four years later, Russia has been largely expelled from northern Ukraine, military lines have consolidated in the eastern Donbas region of Ukraine and fortified defensive zones have engulfed the field of battle. Although Russia has fought through fierce counteroffensives to capture about 20% of Ukrainian territory, their pace of advance has been achingly slow.
Deep rumination on the causes of this war is beyond the scope of your question but it suffices to say that there are ethnic dimensions to the conflict that trace back centuries. From a materialist point of view, both Ukraine and Russia can be characterized as run-of-the-mill corrupt capitalist kleptocracies: the imperialist NATO alliance backs Ukrainian oligarchs aligned with western capital, while Moscow has sought to shore up its own capital interests in eastern Europe. Working people sent to their doom by capital wrapped in a nationalist disguise is an old and horrible story. Noble causes do not abound here.
There are concrete geopolitical implications worth flagging. Just as the US-Israeli war on Iran has been a cocktail shaker for the regional politics of the Middle East, so too has the Russia-Ukraine war had a similar effect on Europe. The European Union has largely severed key Russian inputs from their economies, creating stagnanteconomic conditions. At the same time, European countries have committed to a large-scale military buildup in order to counter the “Russian threat” that has failed to topple Ukraine. And this is on top of a whopping $400 billion in aid spent by NATO countries to prop up the Ukrainian war effort against Russia. As for the Russian side, the math gets worse: over $1 trillion dollars lost to sanctions and frozen assets plus hundreds of billions more in direct military expenditures.
Karl Marx wrote in the Grundrisse that the economic effect of war “is exactly the same as if the nation were to drop part of its capital into the ocean.”1 By that standard, none of the principal actors in this war can possibly emerge a “winner.” Any victory declared by the principal belligerents could only be considered Pyrrhic at best. As with the Iran war, the primary political benefits have accrued to the one major power smart enough to remain neutral: China.
China has managed to retain a robust trading relationship with the United States, European Union, Ukraine and Russia throughout the war. With Russia politically and economically ostracized from Europe, China has deepened ties with their large northern neighbour and destroyed America’s containment strategy in the process. Ukraine has set fire to western resources across the board and kneecapped any faint hope of Europe achieving economic sovereignty independent of the United States—itself a sinking ship. The relative strength of China increases each day the conflict drags on.
In The Art of War, Sun Tzu said that it takes “the acme of skill” to win wars without fighting. China clearly possesses this skill. The imperial world must crumble before it can do the same.
If virtue no delighted beauty lack, Your son-in-law is far more fair than black.
—Duke of Venice, Act 1, Scene 3.
The Tragedy of Othello, the Moor of Venice is a Shakespeare play that carries an echo of the European imagination that lasted beyond Karl Marx’s lifetime. “Moor” was a term used by Europeans to refer to the Muslim North Africans who had conquered and ruled the Iberian Peninsula between 711 and 1492. The Muslim population of Al-Andalus—modern day Spain and Portugal—were quite heterogeneous and did not use the Moor identifier themselves. Even after the Christian reconquest of the Iberian Peninsula, “Moor” was a common European designate applied to continental Africa and the Middle East.
The term was derived from the ancient Roman province of Mauretania—modern day Morocco and Algeria— and it eventually came to denote virtually anyone of a darker complexion. Marx, a German and ethnic Ashkenazi, was nicknamed “the Moor” by friends and family owing to his swarthy skin tone, hair and eyes.
The Moor label—applied to Marx but also by Shakespeare to his Othello title character—is emblematic of European perceptions of race as they evolved through centuries. Since the era of ancient Rome, people of North African, Middle Eastern and sub-Saharan African origin worked and lived in continental Europe. Yet “the ancients did not fall into the error of biological racism; black skin colour was not a sign of inferiority.”1
The ancient world was hardly free of prejudice; individuals were judged harshly according to their occupation, cultural identity or status as citizens. But the concept of race did not exist and physical differences between groups were thought only to be the effects of climate on the human body. This view of race and ethnicity largely held through Europe’s medieval era and into Elizabethan England: “The theory of the humours, the basis of Elizabethan psychology, maintained that men were of different complexions, statures, and countenances of mind and body according to the climate of their birth.”2
Lacking a social construction of race, ancient Rome based their in-group identity on citizenship. And medieval Europe and Renaissance England did much the same thing, only with Christianity as the defining in-group characteristic. This began to change in many parts of Europe during Shakespeare’s lifetime with the advent of the trans-Atlantic slave trade. Othello therefore occupies a blurry space somewhere at the dividing line between the western religious sorting of peoples and the systematic racial categorization that would later come.
A World of Sighs
At the open, we learn that Othello has married Desdemona, the daughter of a Venetian senator. Othello descends from a vague “Moorish” nobility but lives as “a Christianized black in Venice” who has risen to the rank of an esteemed general in the Venetian military.3 Iago serves as Othello’s trusted ensign but he has an axe to grind: Othello has passed him over for the position of lieutenant in favour of Cassio. This enrages Iago but he carefully keeps his feelings hidden. With discretion, Iago alerts Desdemona’s father to her betrothal and appeals to him with charged language in order to rouse opposition: “You’ll have your daughter covered with a Barbary horse…I tell you your daughter and the Moor are making the beast with two backs.”4
Desdemona’s father, betrayed by his daughter marrying without his permission, appeals to the Venetian senate to overturn the ceremony. However, the senators are not persuaded. Desdemona had married with full consent and besides, they require the “valiant Moor” to defend Cyprus from an invading Turkish fleet. Iago then embarks upon a set of hateful schemes designed to ruin Cassio’s reputation, snatch money from Roderigo and destroy Othello’s otherwise happy marriage to Desdemona.
Iago holds the crown amongst Shakespeare’s villains because of the sociopathic manner in which he weaponizes the trust that other characters place in him. Eventually snared by his own web of lies, Iago’s malevolent nature is laid bare in the last act before a bed loaded with the lifeless bodies of Desdemona, Othello and even Emilia, Iago’s wife.
There is exceptional wickedness displayed here, as Iago ruthlessly manipulates Desdemona, Emilia, Cassio and Roderigo in order to convince Othello that his wife was unfaithful to him. But interest in Othello lingers due to the uniqueness of Shakespeare’s choice of protagonist. Shakespeare did not invent the character of Othello whole-cloth; he was devised from a “Moorish” character in a short story by the Italian poet Cinthio. Shakespeare’s version leaves open the possibility that Othello is an Arab or Berber noble of some type, but there are also a number of references to Othello’s appearance that suggest a black complexion.5 This was a bold choice for Elizabethan audiences as only an estimated 300-500 Black people are thought to have resided in England over that period of time.
Bootless Grief
Shakespeare takes measures to ensure that the foreign Othello is perceived favourably by his audience. He possesses a Christian identity, his nobility and rank bless him with a majesty of speech and his bravery in battle has earned him the respect of the Venetian ruling class.6 Even spiteful Iago acknowledges Othello’s virtues that would make him a good husband to Desdemona:
The Moor, howbeit that I endure him not, Is of a constant, loving, noble nature, And I dare think he’ll prove to Desdemona A most dear husband.7
When Othello capitulates to jealousy and slays Desdemona, the labour that Shakespeare undertook establishing his merits persuade the audience to interpret Othello’s horrendous act as contrary to his nature. It is Iago’s scheming that appropriates the blame for this crime and Othello’s motivations are not presented by Shakespeare as “different from any white husband.”8 The extremely patriarchal relations of Renaissance Europe are fully displayed in Othello, without question. But despite the use of vulgar language on the part of antagonistic characters, Othello is assuredly not a racist play.
While Shakespeare lived in a time just prior to the establishment of the concept of race, by Marx’s age this terrible social construction had reached a zenith. It is difficult to imagine that a story like Othello could be devised during the Victorian era without being subsumed by the social relations of race. In Capital, Marx asserted that racism and the capitalist mode of production shared a common origin during the age of colonial exploitation:
The discovery of gold and silver in America, the extirpation, enslavement and entombment in mines of the aboriginal population, the beginning of the conquest and looting of the East Indies, the turning of Africa into a warren for the commercial hunting of black-skins, signalized the rosy dawn of the era of capitalist production.9
While Elizabethan society viewed Christianity as a positive civilizing force, by the Victorian era Marx found a Christian society that was completely subordinate to capital accumulation and its accordant crimes:
The barbarities and desperate outrages of the so-called Christian race, throughout every region of the world, and upon every people they have been able to subdue, are not to be paralleled by those of any other race, however fierce, however untaught, and however reckless of mercy and of shame, in any age of the Earth.10
Destructing the Construction
We can therefore assert that race and racism is a byproduct of economic relations born from the spiral of capital accumulation which early on necessitated colonial subjugation, forced labour and abject slavery. The impoverishing impacts of these economic forces have had profound effects upon global society into the present day, where we remain haunted by these spectres of history. If race is a social construction burnished by the capitalist paradigm then its demolition can only commence with the creation a new economic order.
It was the Nigerian-British poet Ben Okri who said it best: “If Othello did not begin as a play about race, then history has made it one.” Indeed, Othello’s own race is as shapeless as the concept was during Shakespeare’s lifetime. But the aspiration today cannot be a return to feudalism or mercantilism or the harsh economies of antiquity.
Concerning race-based slavery, Marx wrote: “Labour cannot emancipate itself in the white skin where in the black it is branded.” Ending the systematic subjugation of labour along racial lines is one step of a larger emancipatory project. A society that does not sort individuals by race is one thing; a society that does not sort individuals by class is quite another.
Martin Luther King Jr.’s dream of universal liberty will be seen through the eyes of a classless people that recognize the interconnectedness of the universe, of humanity, of all things living. Once the predatory fetters of competition are shed, cooperation will prevail by the motto: “The free development of each is the condition for the free development of all.”11
Thanks for reading!
Frank Snowden, Blacks in Antiquity: Ethiopians in the Greco-Roman Experience (Harvard University Press, 1970): 169. ↩︎
Philip Butcher, “Othello’s Racial Identity” in Shakespeare Quarterly Vol. 3, No. 3: 246. ↩︎
Peter Erickson, “Representations of Blacks and Blackness in the Renaissance” in Criticism Vol. 35, No. 4: 505. ↩︎
Philip Butcher goes as far as saying that Othello is “undeniably black” in “Othello’s Racial Identity,” 247. ↩︎
Russ McDonald writes, “Early-seventeenth century Europeans thought of Moors, Turks and Africans as pagan, but Othello is a Christian, a baptized convert whose Christianity is an important marker of his assimilation into Venice and the values of “civilization.” Russ McDonald, ed. Othello (Penguin, 2016): xxxvi. ↩︎
What is the outcome of the U.S.–Israeli attack on Iran?
Thanks!
Kora.
[Sent via Bluesky]
Hi Kora,
By many accounts Americans and Israelis approached this military attack with different objectives. For the Americans led by Trump, the objective after the decapitation strike was the quick emergence of a compliant leader that would submit to Washington’s demands on the state. Israel no doubt knew that this outcome was unrealistic but nonetheless were elated to have American assistance with their ultimate goal, which is the total destruction of Iran as a functioning country.
Alas, nothing has rationalized Iran’s notorious slogan of “Death to America! Death to Israel!” more than this joint U.S.–Israeli attack, which has already blown up children at a school in Minab and brought calamity to the entire population of Tehran. Assassinations and aerial bombardment have led Iranians to rally around the flag and this alone has frustrated American and Israeli designs. Even further, Iran has demonstrated the ability to hold the Strait of Hormuz and Gulf states hostage, while simultaneously inflicting heavy damage to Israeli infrastructure and American bases in the region.
Iran has a strong hand to play as they try to end this war on their terms: war reparations from the U.S. and Israel, along with international security guarantees against future strikes. Ultimately, this war is one of attrition between Iranian missiles and regional interceptors. Whichever side runs out first will lose.
If the United States and Israel neutralize Iranian weapons and prevail, the global status quo will remain depressingly the same. Trump will continue to mark more and more countries for imperialist expansion and Israel will solidify itself as the undisputed Middle Eastern military power without any counterweight.
But the spectre of an Iranian victory against the West’s flagship militaries should not be taken lightly. In the Middle East, perceived strength matters more than anything else. This is how Israel and the United States have managed to expand their influence over Arab politics during the past few decades, despite those countries being massively unpopular amongst the Muslim populace.
An Iranian victory replete with reparations would shatter the myth of Israeli invincibility and demonstrate U.S. military presence to be a security liability rather than an asset. The net effect would be a much smaller military footprint for the U.S. in the region as they lose control control over the Persian Gulf. Meanwhile, the prestige of Iran’s theocratic government in the Islamic world would soar to new heights.
The Iranian conflict has already become a black hole for critical global energy supplies and western investment in the Gulf. This will weaken the ability of European capitals to aid Ukraine at a moment when Russia expects a windfall from its oil exports. If there is a U.S. defeat by Iran, don’t be surprised if Ukraine is the next western ally to settle a conflict on unfavourable terms.
The Europeans have been on the receiving end of continuous insults and threats from Trump regarding tariffs and territorial annexation. Having witnessed the limits of U.S. military capability overseas, the next crop of European leaders should pursue a new security regime for their continent that includes a durable peace and trading relationship with Russia.1
In Asia, the story is much the same. Their energy costs and stock markets have been hit hard by Trump’s decision to illegally attack Iran. They have also been subject to Washington’s erratic tariff policy. But luckily for Asians, they share their continent with a burgeoning superpower that has routinely demonstrated stability and restraint—and has invested in all the right places. China has weathered the oil shock with relative ease, thanks to long-term planning and allocations in green energy and battery technology. For Asia, the increasingly obvious limitations of American security only underline the benefits of deepening economic relations with Beijing.
The stakes are obviously a lot higher than Trump realized when he decided to take a ride to Tehran with the genocidal prime minister of Israel. Israel, by the way, will be lucky to survive an Iran war loss over the medium term; war-addicted and Spartan countries only function so long as they win the conflicts they start. Across the world, we can expect the Middle East to lurch toward Iran, Asia to lurch toward China and Europe to lurch toward Russia. American military prestige will take a massive hit and the oil shocks this war has caused will do immense harm to Trump’s fossil fuel-driven economic agenda.
The war is not yet over. But if the zenith of American hegemony passed over the sands of Iraq and Afghanistan, it may be Iran where the nadir is found.