Dear editor,
Here’s something I’ve heard applied to Donald Trump, woke liberal activists and everyone Jordan Peterson doesn’t like: postmodern. It’s also a label placed onto some of my favourite films, buildings and artwork, like Eternal Sunshine of the Spotless Mind, the Petronas Towers in Kuala Lumpur and Andy Warhol prints.
What is postmodernism? Is it good or bad?
Cheers,
Sora.
Dear Sora,
In his 1991 book Postmodernism, or, the Cultural Logic of Late Capitalism, Fredric Jameson argued presciently that the radical structural changes to the economy underway in the 1980s created a western culture disillusioned by progress, marking a break with modernity in the process.1 33 years later, the disillusionment has deepened and postmodernism rules the public sphere
After the medieval period was destroyed by the riches of exploited labour and resources from the Americas, modernity followed in its wake. Modernity is characterized by Enlightenment philosophy, secularization and science, liberal democracy, romantic and realist artwork and International Style architecture. It is debatable whether we have truly exited modernity but postmodernism can at least describe its latest evolution.
The most consequential casualty of the postmodern turn is the belief in progress. This has given space for right wing populists around the world to lash out at the previous order and ruling institutions. Lacking any philosophical grounding, there has been a tidal wave of contradictory political expressions coming in from the right: nostalgia for past glory while undermining the institutions that facilitated it; trickle down tax policies and trade protectionism; conspiracy theories and “alternative facts;” religious affirmations and hedonistic menageries of drugs and sex. Anything goes, and this is the hallmark of postmodernism. Because there is no grand narrative of history or final destination for humanity, nothing has to make sense beyond the present moment. Postmodernism did not produce identity politics; on the contrary, identity politics relied on the modernist narrative of a society gradually abolishing social prejudices. The triumphalism of postmodern politics has destroyed the “woke” idea, and liberals abandon it as rats flee a sinking ship.
Many of the postmodern elements seen lately in politics have existed for years in the realm of culture. The parade of cinematic reboots and remakes, nonlinear story structures, imitation of past styles without context and a fusion of high and low art are a few postmodern characteristics that Jameson identified. Postmodernist culture like film, music, artwork or architecture, relies on extensive reference to the past because of an inability to apprehend the future.
Postmodernism isn’t good or bad. It is simply the cultural analog to our current economic structure and material life. Finding resonance with postmodern culture is expected as we, too, are products of late capitalism. Just as we see postmodernism dominate the society of a nihilistic West, futurism dominates the society of an optimistic China. Only when the West has consciously apprehended its economic levers will it be able to determine its future and set foot to a new era yet again.
In sols,
Your editor.
Send your questions to the Reclamation: editor@thereclamation.co
Footnotes:
Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism (Duke University Press, 1991). ↩︎